While the iMac certainly costs more, the Mac Mini isn’t cheap either. Some would consider this an unfair comparison, but they are more alike than you might think. When the 2018 Mini was announced, we started comparing the two machines. We have been very pleased with the iMac Pro’s performance, but not its price tag. Our hope is the Mac Mini will fit well into our current offline/online workflow, and have enough power to handle some of the more system-taxing codecs such as the HEVC 4K 10bit files coming out of the GH5.
We have more powerful machines dedicated to finishing in delivery formats. As a company that regularly shoots and delivers in 8K 60p HDR, we aren’t expecting this to grade 8K. It is our hope the Mac Mini will fulfill the role of a dedicated editing machine. Before we talk about our experience with the Mac Mini, it is important layout the expectations we have for this machine.
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